When Chivido2025 lit up social media, all eyes were not just on the love story between Chioma and Davido, Chioma’s six wedding dresses stole plenty of the spotlight too. And after seeing how perfectly each one suited her, it is only right to talk about the creative minds who made them happen.
Here are the seven designers behind the standout bridal looks.
Amy Aghomi
Among Chioma’s pre-wedding looks was a dramatic black couture gown by Amy Aghomi, a Nigerian luxury fashion brand founded in 2016. Rooted in the country’s rich cultural heritage, the label reimagines tradition through a modern lens, producing pieces that blend elegance, authenticity, and refined craftsmanship. From its beginnings in Delta State to its expansion into Lagos, Amy Aghomi has built an international reputation for innovation and artistry.
For the shoot, Amy Aghomi created a sheer, form-fitting bodice embellished with black beadwork and sequins in ornate patterns, paired with a voluminous satin skirt adorned with oversized rosettes. The sculpted mermaid silhouette and extended train gave the gown a striking presence. Amy Aghomi also designed Davido’s custom black suit for the shoot, detailed with sparkling stones and beadwork, as well as his crisp white sleeveless suit for the after-party.
Emagine by Bukola
One of Chioma’s pre-wedding ensembles came courtesy of Emagine by Bukola, the couture arm of the Emagine Group. Founded in October 2020 by Creative Director Bukola Owolabi, the group also encompasses EB Bridals, Lizanuella, EmagineLagos, and Examination, a collective dedicated to elegance, structure, and purposeful storytelling through fashion.
For Chioma, EmagineByBukola created a sheer gold gown richly embellished with intricate beadwork and sequins arranged in swirling and geometric patterns. Long sleeves were finished with bead-fringe detailing cascading from the arms and shoulders.
Xtra Brides Lagos
Chioma’s bridal party gown for Chivido2025 was designed by Oyetomiwa Elizabeth Daniel, founder and creative director of Xtra Brides Lagos (XBL), a luxury fashion label specialising in bridal wear, evening dresses, and traditional Aso Ebi.
The asymmetrical one-shoulder gown featured a sculpted floral appliqué that ran diagonally from the bodice toward the hip, creating a bold focal point. A high-low hemline revealed the legs at the front while extending into a layered train at the back. The figure-hugging bodice and smooth, structured fabric showcased Xtra Brides Lagos’ precise tailoring, with the three-dimensional floral detail adding depth and movement.
Known for her focus on detailed craftsmanship, a skill refined through training in Lagos and Paris, Oyetomiwa Elizabeth brought her signature blend of structure and artistry to this design.
Jennifer Rowland
Three of Chioma’s Chivido2025 looks were designed by her sister, Jennifer Rowland, whose designs were created for specific moments in the wedding celebrations.
For the pre-wedding shoot, Jennifer designed a white A-line structured gown fully beaded with crystal-like stones and finished with a bow-like train. In the same shoot, she introduced a contrasting tailored black suit with structured cuts, a reverse design, and organza ruffles framing the neckline. The back featured a deep plunge and a centre slit. For the wedding reception, Chioma wore The Cathedral Garden Dress by Jennifer Rowland, a bold blend of colour and craftsmanship. The fitted mermaid gown featured 3D floral motifs in deep reds and pinks across the bodice, flowing into a mosaic of jewel-toned “stained glass” patterns accented with red rose appliqués. Purple tulle panels at the hem introduced movement, while the sculpted silhouette enhanced the gown’s striking form.
By designing three distinct looks, Jennifer Rowland brought range and cohesion to Chioma’s wedding wardrobe.
Ann Usman
For her wedding morning preparations, Chioma wore a bridal robe designed by Ann Usman.
The robe featured a mesh overlay with a full floral base, worn over a matching tube dress. Both pieces were fully hand-beaded, with the detailing on the tube dress adding depth to the overall design. The top carried delicate embellishments with classical-style embroidery, layered over a mini corset dress beneath flowing tulle. Vertically placed ruffles on the tulle added movement to the look.
As her first outfit of the day, the robe balanced simplicity with detail, setting the tone for the rest of the celebration. Ann Usman’s work also extended to the bridesmaids, whose dresses were designed to align with the wedding’s overall style and palette.
Alonuko Bridal
Chioma’s white wedding gown and veil were designed by Alonuko Bridal, a women’s fashion brand founded in 2012 by British-born Nigerian designer Oluwagbemisola Okunlola. Known for creating pieces that present women at their best, the brand combines refined craftsmanship with modern design.
The gown was made from custom beaded Chantilly lace, a fabric recognised for its fine detailing and longstanding place in bridal couture. Alonuko incorporated the lace with intricate beading to create a structured yet delicate silhouette, paired with a veil that extended the gown’s refined look.
This look in Chioma’s wedding wardrobe reflected Alonuko’s design philosophy: designing pieces that celebrate the female form by accentuating beauty, not concealing it.
Brides by Nona
Chioma’s final look came from Brides by Nona, an Atlanta-based couture house founded in 2014 by Nigerian-born designer Nneka C. Alexander. Specialising in bespoke luxury bridal and formal gowns, the brand was created to give brides the freedom to design a dress that reflects their own vision, rather than settling for off-the-rack options.
For the after-party, Brides by Nona crafted a figure-hugging gown with a bodice covered in crystal and turquoise beadwork, arranged to trace Chioma’s silhouette and create the illusion of movement. The sculptural skirt featured glittering blue layers and a thigh-high slit, adding both drama and fluidity.
The combination of intricate embellishment, precise tailoring, and modern structure made the dress an ideal closing statement.
